{"id":2030,"date":"2024-04-06T17:59:07","date_gmt":"2024-04-06T14:59:07","guid":{"rendered":"https:\/\/haberv8.thewpdemo.com\/munir-nurettin-selcuk-kimdir\/-2030.html"},"modified":"2024-04-06T17:59:07","modified_gmt":"2024-04-06T14:59:07","slug":"munir-nurettin-selcuk-kimdir","status":"publish","type":"post","link":"https:\/\/egetv.tr\/?p=2030","title":{"rendered":"M\u00fcnir Nurettin Sel\u00e7uk kimdir"},"content":{"rendered":"<\/p>\n

\n T\u00fcrk m\u00fczi\u011finin unutulmaz isimlerinden bestekar, e\u011fitmen ve koro \u015fefi M\u00fcnir Nurettin Sel\u00e7uk’un hayat hikayesidir. <\/h2>\n

Eserleriyle T\u00fcrk m\u00fczi\u011finde \u00e7\u0131\u011f\u0131r a\u00e7an sanat\u00e7\u0131, Dar\u00fclf\u00fcnun \u0130lahiyat Fak\u00fcltesi Fars Edebiyat\u0131 Profes\u00f6r\u00fc ve Kad\u0131k\u00f6y Sultanisi Frans\u0131zca \u00f6\u011fretmenlerinden \u015fair Mehmed Avni Nureddin Bey ile Fatma Hanife Han\u0131m’\u0131n o\u011flu olarak, 1900’de \u0130stanbul Sar\u0131yer’de do\u011fdu.<\/p>\n

\u00c7e\u015fitli kaynaklarda do\u011fum y\u0131l\u0131 1899, 1900, 1902 olarak da belirtilen sanat\u00e7\u0131, ilkokulu Beyaz\u0131t \u0130btida-i Mektebi’nde okuduktan sonra So\u011fuk\u00e7e\u015fme Askeri R\u00fc\u015ftiyesi’nde, ard\u0131ndan Kad\u0131k\u00f6y Sultanisi’nde \u00f6\u011frenim g\u00f6rd\u00fc.<\/p>\n

Hen\u00fcz 10 ya\u015f\u0131nda sesinin g\u00fczelli\u011fi fark edilen Sel\u00e7uk, 15 ya\u015f\u0131ndayken girdi\u011fi Kad\u0131k\u00f6y’deki Dar\u00fclfeyzi Musiki Mektebi’nde \u00fc\u00e7 y\u0131l e\u011fitim ald\u0131ktan sonra 1915’te ilk konserine \u00e7\u0131kt\u0131. Sel\u00e7uk, s\u0131nav sonucu elde etti\u011fi ba\u015far\u0131yla Dar\u00fclelhan ad\u0131yla faaliyet g\u00f6steren \u0130stanbul Belediyesi Konservatuvar\u0131na girmeye hak kazand\u0131.<\/p>\n

“Ba\u015fka meslek d\u00fc\u015f\u00fcnmedim”<\/h3>\n

Ailesinin \u0131srar\u0131yla ziraat e\u011fitimi almak \u00fczere 1917’de gitti\u011fi Macaristan’dan e\u011fitimini tamamlamadan d\u00f6nen ve m\u00fczik \u00e7al\u0131\u015fmalar\u0131na a\u011f\u0131rl\u0131k veren Sel\u00e7uk, gazeteci Zeki T\u00fckel’e verdi\u011fi bir r\u00f6portaj\u0131nda, “Hayat\u0131mda ba\u015fka hi\u00e7bir meslek se\u00e7meyi akl\u0131ma getirmedim. D\u00fc\u015f\u00fcn\u00fcn bir kere, beni Macaristan’a ziraat tahsiline g\u00f6ndermi\u015flerdi. Bu tahsilde iken T\u00fcrk musikisi y\u00fcz\u00fcnden kitab\u0131n yapra\u011f\u0131n\u0131 a\u00e7amad\u0131m.” ifadelerini kullanm\u0131\u015ft\u0131.<\/p>\n

Atat\u00fcrk’ten izin ald\u0131 <\/h3>\n

Musikiye ciddi \u015fekilde bu y\u0131llarda ba\u011flanan sanat\u00e7\u0131, 1923’te askerlik hizmetini yapmak \u00fczere te\u011fmen r\u00fctbesiyle girdi\u011fi Muz\u0131ka-i H\u00fcmayun’da m\u00fcezzinli\u011fe tayin edildi. Cumhuriyet ilan edilince ayn\u0131 r\u00fctbeyle Ankara’daki “Riyaset-i Cumhur \u0130ncesaz Heyeti”ne dahil olan sanat\u00e7\u0131, Atat\u00fcrk’\u00fcn maiyetinde bulundu. Sanat\u00e7\u0131, 1926’da Atat\u00fcrk’ten izin alarak heyetten ayr\u0131ld\u0131 ve \u0130stanbul’a d\u00f6nd\u00fc.<\/p>\n

<\/p>\n

Paris Konservatuvar\u0131nda \u015fan, piyano ve solfej dersleri ald\u0131<\/h3>\n

M\u00fcnir Nurettin Sel\u00e7uk, \u0130stanbul’da Sahibinin Sesi Plak \u015eirketi’yle yapt\u0131\u011f\u0131 anla\u015fman\u0131n ard\u0131ndan musiki bilgisini artt\u0131rmak i\u00e7in 1928’de gitti\u011fi Paris’te bir y\u0131l kalarak Paris Konservatuvar\u0131nda \u015fan, piyano ve solfej dersleri ald\u0131.<\/p>\n

Frans\u0131z tiyatrosunda tek ba\u015f\u0131na ve o tarihe kadar g\u00f6r\u00fclmemi\u015f bir bi\u00e7im ve programla 1929’da ilk konserini veren Sel\u00e7uk’un performans\u0131 sanat \u00e7evrelerinde b\u00fcy\u00fck yank\u0131 uyand\u0131r\u0131rken, M\u00fcnir Nurettin ekol\u00fc duyulmaya ba\u015flad\u0131.<\/p>\n

Sanat\u00e7\u0131 ayn\u0131 y\u0131l Enise Han\u0131m ile evlendi. E\u015fi 1966’da vefat eden Sel\u00e7uk’un bu evlili\u011finden k\u0131z\u0131 Meral, \u015eehime Erton’la evlili\u011finden ise o\u011fullar\u0131 Timur ve Selim d\u00fcnyaya geldi.<\/p>\n

T\u00fcrk musikisi i\u00e7in d\u00f6n\u00fcm noktas\u0131 <\/h3>\n

Sanat\u00e7\u0131n\u0131n, 22 \u015eubat 1930’da Beyo\u011flu’ndaki Frans\u0131z Tiyatrosu’nda verdi\u011fi ilk solo konser, T\u00fcrk musikisi konser tarihinde bir d\u00f6n\u00fcm noktas\u0131 oldu. Usta sanat\u00e7\u0131lar Tanburi Mesut Cemil, kemen\u00e7eci Ru\u015fen Ferit, udi Nevres, kanuni Artaki ve kemani Nubar’\u0131n refakatinde ilk defa frak giyilerek, ayakta, yepyeni bir \u00fcslupla konser disiplini i\u00e7erisinde ve mikrofonsuz ger\u00e7ekle\u015fen performans, musikiye sayg\u0131 ve ciddiyet getiren yeni bir ekol\u00fcn do\u011fu\u015fu kabul edildi.<\/p>\n

Usta besteci ve yorumcu, 1942’de girdi\u011fi Belediye Konservatuvar\u0131 \u0130cra Heyeti’nden 1943’te ayr\u0131ld\u0131.<\/p>\n

\u0130stanbul Teknik \u00dcniversitesi T\u00fcrk Musikisi Konservatuvar\u0131nda repertuvar dersleri de veren sanat\u00e7\u0131, farkl\u0131 formlarda 100’den fazla esere imza att\u0131. Sel\u00e7uk, 1953’te \u0130stanbul Radyosu’nda m\u00fc\u015favirlik g\u00f6reviyle \u0130cra Heyeti Ba\u015fkan\u0131 g\u00f6revlerini \u00fcstlendi.<\/p>\n

<\/p>\n

Yurt d\u0131\u015f\u0131nda da \u00e7ok say\u0131da konser verdi<\/h3>\n

Solo konserleriyle T\u00fcrk m\u00fczi\u011finde \u00e7\u0131\u011f\u0131r a\u00e7an sanat\u00e7\u0131, tek ba\u015f\u0131na halk\u0131n kar\u015f\u0131s\u0131na \u00e7\u0131kmas\u0131n\u0131n yan\u0131 s\u0131ra farkl\u0131 stiliyle de b\u00fcy\u00fck ilgi g\u00f6rd\u00fc.<\/p>\n

Mevlana, Fuzuli, Nedim, Ahmet Pa\u015fa, \u015eeyh Galip, Ziya Pa\u015fa, S\u00fcleyman Nazif, Tevfik Fikret, Vecdi Bing\u00f6l, Yahya Kemal Beyatl\u0131, Faruk Nafiz \u00c7aml\u0131bel, Beh\u00e7et Kemal \u00c7a\u011flar, Necdet At\u0131lgan, Munis Faik Ozansoy, Cahit S\u0131tk\u0131 Taranc\u0131, \u00dcmit Ya\u015far O\u011fuzcan, \u0130smet Bozda\u011f, Refik Ahmet Sevengil gibi \u00fcnl\u00fc \u015fairlerin \u015fiirlerini besteleyen Sel\u00e7uk, yurt d\u0131\u015f\u0131nda da \u00e7ok say\u0131da konser verdi.<\/p>\n

Fenerbah\u00e7e’de top ko\u015fturdu<\/h3>\n

Gen\u00e7li\u011finde Fenerbah\u00e7e Kul\u00fcb\u00fc’nde futbol oynayan, ayn\u0131 zamanda tambur ve piyano \u00e7alan M\u00fcnir Nurettin Sel\u00e7uk, kendinden sonraki ku\u015faklara \u00f6rnek bir musiki adam\u0131 oldu, Dar\u00fclelhan’dan ba\u015flayarak \u0130stanbul Konservatuvar\u0131nda \u00e7al\u0131\u015ft\u0131\u011f\u0131 y\u0131llar\u0131n da i\u00e7inde bulundu\u011fu uzun s\u00fcrede pek \u00e7ok \u00f6\u011frencinin yeti\u015fmesinde b\u00fcy\u00fck katk\u0131 sa\u011flad\u0131.<\/p>\n

Sel\u00e7uk’un \u00f6\u011frencileri aras\u0131nda kendisinden \u00e7ok yararlanan Necmi R\u0131za Ah\u0131skan ile Alaeddin Yava\u015f\u00e7a, bizzat yeti\u015ftirdi\u011fi \u0130nci \u00c7ay\u0131rl\u0131 ve Meral U\u011furlu gibi isimler yer al\u0131yor.<\/p>\n

Ayr\u0131ca Musiki Mecmuas\u0131 379. say\u0131s\u0131n\u0131 (May\u0131s 1981) M\u00fcnir Nurettin Sel\u00e7uk’a ay\u0131rm\u0131\u015f, Ay\u015fe Kulin, sanat\u0131n\u0131n anlat\u0131ld\u0131\u011f\u0131 bir eser kaleme ald\u0131. <\/p>\n

<\/p>\n

Muhsin Ertu\u011frul’un m\u00fczikal filmlerinde rol ald\u0131<\/h3>\n

Hemen hemen b\u00fct\u00fcn beste \u015fekillerindeki eserleri okuyabilen bir yorumcu olan sanat\u00e7\u0131, \u00f6zel dersleriyle bir\u00e7ok gen\u00e7 ku\u015fak sanat\u00e7\u0131n\u0131n yeti\u015fmesine katk\u0131da bulundu.<\/p>\n

Muhsin Ertu\u011frul’un ilk m\u00fczikal film denemesi olan 1939 yap\u0131m\u0131 “Allah’\u0131n Cenneti” filminde de rol alan sanat\u00e7\u0131, yine Ertu\u011frul’un 1941 yap\u0131m\u0131 “Kahveci G\u00fczeli” filminde de oynad\u0131.<\/p>\n

Sanat\u00e7\u0131, Kahveci G\u00fczeli’nde Sadettin Kaynak’\u0131n besteledi\u011fi “Ela G\u00f6zlerini Sevdi\u011fim Dilber”, “A\u015f\u0131\u011f\u0131m Bahar\u0131n Ye\u015fil G\u00f6z\u00fcne”, “Zeynebim U\u00e7tu Gitti”, “Garibiz, Gurbet Bize Art\u0131k Bir S\u0131la Oldu”, “\u00c7oban K\u0131z\u0131” ve “Yad Eller Ald\u0131 Beni” eserlerini yorumlad\u0131.<\/p>\n

TRT’ye verdi\u011fi bir r\u00f6portajda \u0130stanbul’a hayranl\u0131\u011f\u0131n\u0131 dile getiren Sel\u00e7uk, \u015fairlerin \u0130stanbul’a hayranl\u0131k belirten dizelerine i\u015faret ederek,<\/p>\n

“Bunlardan bir tanesi de \u00fcstad\u0131n ‘Aziz \u0130stanbul’ isimli g\u00fczel \u015fiiridir. Bunu a\u015fa\u011f\u0131 yukar\u0131 iki ay zarf\u0131nda besteledim. Eser bitti\u011fi zaman da son gece, sabaha kar\u015f\u0131 4.00-5.00 aras\u0131 kula\u011f\u0131ma ezan sesleri geldi. O tabii beni \u00e7ok m\u00fctehassis etti.”<\/p>\n

M\u00fcnir Nurettin Sel\u00e7uk \u00f6ld\u00fc<\/h3>\n

M\u00fcnir Nurettin Sel\u00e7uk, sanatla dolu dolu ge\u00e7en 81 y\u0131l\u0131n sonunda, 27 Nisan 1981’de Ni\u015fanta\u015f\u0131’ndaki evinde hayata g\u00f6zlerini yumdu ve A\u015fiyan Mezarl\u0131\u011f\u0131’na defnedildi.<\/p>\n","protected":false},"excerpt":{"rendered":"

T\u00fcrk m\u00fczi\u011finin unutulmaz isimlerinden bestekar, e\u011fitmen ve koro \u015fefi M\u00fcnir Nurettin Sel\u00e7uk’un hayat hikayesidir. Eserleriyle T\u00fcrk m\u00fczi\u011finde \u00e7\u0131\u011f\u0131r a\u00e7an sanat\u00e7\u0131, Dar\u00fclf\u00fcnun \u0130lahiyat Fak\u00fcltesi Fars Edebiyat\u0131 Profes\u00f6r\u00fc ve Kad\u0131k\u00f6y Sultanisi Frans\u0131zca \u00f6\u011fretmenlerinden \u015fair Mehmed Avni Nureddin Bey ile Fatma Hanife Han\u0131m’\u0131n o\u011flu olarak, 1900’de \u0130stanbul Sar\u0131yer’de do\u011fdu. \u00c7e\u015fitli kaynaklarda do\u011fum y\u0131l\u0131 1899, 1900, 1902 olarak da […]<\/p>\n","protected":false},"author":1,"featured_media":2032,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[20],"class_list":["post-2030","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-biyografiler","tag-biyografi"],"views":1,"_links":{"self":[{"href":"https:\/\/egetv.tr\/index.php?rest_route=\/wp\/v2\/posts\/2030","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/egetv.tr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/egetv.tr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/egetv.tr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/egetv.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2030"}],"version-history":[{"count":0,"href":"https:\/\/egetv.tr\/index.php?rest_route=\/wp\/v2\/posts\/2030\/revisions"}],"wp:attachment":[{"href":"https:\/\/egetv.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2030"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/egetv.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2030"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/egetv.tr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2030"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}